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Poetry |
I watch you watch him waste all cotton balls of clouds drowning out the stinging hail of grief embraced he can't define. Booze is like formaldehyde-- preserving soiled integrity, pickling the rising sun. Divorce's smell--a failure clue-- blood clots in a pile of flour our mothers taught us to knead and serve in even slices of our strength. His drunken state, a wallowing where candor is a bug to squash crawling up a hapless leg. Anger is a grid to walk and mirrors are a narrow ledge. You start the car; it lurches in the morning's famine. Bottles roll from under seats. They own his heart, his soul, his pulse. Loving's feckless entity can't buy it back, cannot return a broken limb to standing tree without some dose of willingness. He fumbles down the unlit hall. Hands can't find a simple light switch on the wall. I've been inside that submarine where pounding cold is pressing in, where migraines fill a coffee cup, where tongues run fingers over flaws, measuring a rotted tooth. Beer Breath Another day in ravaged villages of dream. This cannibal you cannot see, but smell like busy hunting dogs. "Tomorrow I will quit for sure!" Just another country song-- your ears have heard its beat before. Promise is a rhapsodist buried in his leaving rites. Every hour, you walk the tightrope of his shakes. Mood swings are an acrobat without a tendon in its legs. Night is quite anonymous. The bed, a canyon blowing dust. Sleep, a traitor to the watch. He fumbles for a can to pop like anchors in a raging sea. Giving is a gravy ladle bending 'til its metal snaps. Love has spilled another feather from its cloth, stained with semen of a tear. A pillow, pickled baby's breath you save in case a rose returns. Against the Storm Clouds drip in complacent rain on gray mouse earth. Slight wind bends trees like creaking doors. I watch you from the window's bay, hunching over prickly shrubs, scissoring their briny arms, picking up the limbs I can't. Motion's sea has rocky tides; pain is always swallowing. Against the storm, our sparrow legs so miniscule. All my joints are organs patience has to tune. Our flesh, a minstel losing bows. Some days we hear elegies; others just a broken waltz. This love, a bird nest in the snow, a fragile wedge of crust-less bread between the jelly of the sky and coalish surface of demise. Positioning Standing at a waterfall, wondering about this leap. Will its aqua carry us or split these guts upon a rock? This phone line's almost beating pulse. May is the right month for this palette to wiggle its fragile tray, spill its drops on canvas of awaiting earth. Can I say that hearing your voice makes me bounce, kid-style on the mattress of Sunday's sun and dream of us putting our feet (such as they ache and burn) on the couch, crossing our legs like firewood to light with the sly slim match together brews. Breaking rules we didn't write. Light a cigarette and talk without a lie to yellow our remaining teeth? "Sister" has the glint of music in its word, even though our nights have not been dustless iron thrones or sets of silken negligees. I'm sounding like an Elvis print in sucky velvet wishing wells, a Hallmark card we wouldn't buy, but want to live in secrecy. I think about positioning. A darkroom full of negatives ambushed by the aureole. The Welsh Love Spoon This paltry juice of dream with seeds. Our tenure here, no longer than an orange peel around a pulp of possibles. I listen to your peace of mind, marvel at the force of age in touching bedsores of the past without tart grains that finished Lot, made a pillar of his legs, froze him to his reckoning. The spoon you carved gives us tools to cope with times, cradles us when struggle is a flipping bass outside an ocean we can't trust. Shape of wholeness, porous wood whittled down to fit the needy bill of lovers thwarted by a chasmed land. Its magic both withdrawing storm and music running up a tree like chipmunks for a coarse pecan. I see your fingers near the blade, fear the blood that might escape. Steadiness is everything. Carving is a brand of speech that tells me beauty's form is there in every twig and every branch a human eye might not have sighted through a tear. That fingers sing of competence only when they leap and reach, make the most of passing chance, slurp the paradise of earth like runny ice cream dripping down a dimpled chin. |
Janet Buck's poetry, poetics, and fiction have appeared in A Writer's Choice, The Melic Review, The Pittsburgh Quarterly, Kimera, The Rose & Thorn, 2River View, Southern Ocean Review, Disquieting Muses, Urban Spaghetti, Perihelion, Mind Fire, Born Magazine, Poetry Life & Times, Born Magazine, Thunder Sandwich, Big Bridge, pith and hundreds of journals world-wide. Two of Buck's poems have been nominated for this year's Pushcart Prize in Poetry and she is a recent recipient of The H.G. Wells Award for Literary Excellence. In December 1999, Newton's Baby Press released her first print collection of poetry entitled Calamity's Quilt: Janet is one of ten U.S. poets to be featured at the "One Heart, One World" Exhibit at the United Nations Exhibit Hall in New York City in April, 2000. Art Villa Records is soon to release Janet's first audio CD entitled Before the Rose. |
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