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2 Poems: Peter Magliocco

    THAT SUMMER WHEN HEAT BURNED LIKE A SPIRIT

    Life branded invisible crosses
    on your Ruddy transient's heart
    while chic lesbians danced in supper clubs
    the year of the North Las Vegas riots.
    There in a tundra of once fertile weed
    the clown gamblers met to water need.
    The bread of shadows made hunger
    on closed lips dark with waiting.
    Ruddy tipped his baseball cap
    to the ladies, a Chaplinesque smile
    freed his despair into a leer.
    It was deep summer, 'hood kids ran
    through entranced alleyways
    stained by random bloodlettings
    while Ruddy avoided The Preacher
    & His mobile chapel: an ice cream truck
    advertising a painted yellow cross
    on its aged, blanched body.
    Safer to be a pagan at heart,
    claimed Ruddy, dreaming to himself
    a wealth of good things
    in a desert where the bad ruled,
    & gangbangers tagged walls
    with DNA-painted cursives
    only the illiterate read
    from the pen of Chicano inmates
    all the streets ran wild with red.




    BRING BACK THE SILENTS

    Somehow Ruddy the transient was hired
    to be a drunken extra in a TV movie
    being filmed in summertime Vegas,
    & he showed up so totally drunk
    the director thought Ruddy was acting,
    complimenting him on "Method Realism."
    The director decided to give Ruddy
    a drawn-out death scene (in close-up)
    at the Blue Angel hotel-casino:
    Ruddy would be shot during a hold-up
    by the film's washed-up leading man,
    a deadringer for Robert Blake ...
    But during the improvisational take
    Ruddy -- who resembled Ben Turpin,
    the mustachioed silent film comic --
    coughed fitfully, & began babbling
    in loud deracination, so wildly
    that the film's star forgot his lines
    throughout what movie critics
    would later give 4-stars to:

    the moving survival of "real people"
    screaming for "HELP!"
    in dangerous Hollywood,
    where many stunt men croak
    mutely before cameras.


PETER MAGLIOCCO, 52, single white writer, was raised in Southern Calif. but has spent the last 16 years editing the lit-art zine, ART:MAG, out of Las Vegas, Nevada. His bio appears in the Marquis' WHO'S WHO IN AMERICA 2001 ... He labors in the security field for a day job, but has worked in print shops, warehouses, & telemarketing boiler rooms ... His latest poetry chapbook (a collection with other poets) is ROCKS AND GRAVEL from Pariah Press ... He's had recent credits in print journals like SUNDOG, and forthcoming poems in THE LOUISIANA REVIEW, as well as online poems for GNOME, THE DOOMED CITY, UNLIKELY STORIES, ATOMIC PETALS, COMRADES, et al.



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