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Poetry |
Life branded invisible crosses on your Ruddy transient's heart while chic lesbians danced in supper clubs the year of the North Las Vegas riots. There in a tundra of once fertile weed the clown gamblers met to water need. The bread of shadows made hunger on closed lips dark with waiting. Ruddy tipped his baseball cap to the ladies, a Chaplinesque smile freed his despair into a leer. It was deep summer, 'hood kids ran through entranced alleyways stained by random bloodlettings while Ruddy avoided The Preacher & His mobile chapel: an ice cream truck advertising a painted yellow cross on its aged, blanched body. Safer to be a pagan at heart, claimed Ruddy, dreaming to himself a wealth of good things in a desert where the bad ruled, & gangbangers tagged walls with DNA-painted cursives only the illiterate read from the pen of Chicano inmates all the streets ran wild with red. BRING BACK THE SILENTS Somehow Ruddy the transient was hired to be a drunken extra in a TV movie being filmed in summertime Vegas, & he showed up so totally drunk the director thought Ruddy was acting, complimenting him on "Method Realism." The director decided to give Ruddy a drawn-out death scene (in close-up) at the Blue Angel hotel-casino: Ruddy would be shot during a hold-up by the film's washed-up leading man, a deadringer for Robert Blake ... But during the improvisational take Ruddy -- who resembled Ben Turpin, the mustachioed silent film comic -- coughed fitfully, & began babbling in loud deracination, so wildly that the film's star forgot his lines throughout what movie critics would later give 4-stars to: the moving survival of "real people" screaming for "HELP!" in dangerous Hollywood, where many stunt men croak mutely before cameras. |
PETER MAGLIOCCO, 52, single white writer, was raised in Southern Calif. but has spent the last 16 years editing the lit-art zine, ART:MAG, out of Las Vegas, Nevada. His bio appears in the Marquis' WHO'S WHO IN AMERICA 2001 ... He labors in the security field for a day job, but has worked in print shops, warehouses, & telemarketing boiler rooms ... His latest poetry chapbook (a collection with other poets) is ROCKS AND GRAVEL from Pariah Press ... He's had recent credits in print journals like SUNDOG, and forthcoming poems in THE LOUISIANA REVIEW, as well as online poems for GNOME, THE DOOMED CITY, UNLIKELY STORIES, ATOMIC PETALS, COMRADES, et al. |
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