TS Broadside Edition - March 2001




      Sea Cross
      - Digital Art By Elaine Thomas


      2 Poems
      - By Esmond Jones



Page 5            Contents            Page 7



          Sea Cross By Elaine Thomas




          Guerrilla Camp
          (Korea 1952)



          We landed at Soc To
          on the last of the tide, slipped
          the bow high on the beach -

          he was waiting for us,
          arched back, one hand inside
          his tunic, Napoleon-like
          as the sun behind him
          crept over black hills.


          Later, after a goulash breakfast,
          an Army captain took us on tour
          of the guerrilla camp -

          he followed, tagged along
          like the Captain's dog -
          a lofty Korean. Taut.
          Ready to snap like carrot.


          Something on his shoulder
          I'd like to get my machete into.

          We were shown the clattering kitchens,
          the sardine-packed barracks
          and specially built junks
          with their concealed engines

          and he watched,
          never leaving us
          with his eyes. Piercing.


          I imagined his eyeballs in my hand
          and wondered about his.
          I struggled against making a fist
          and turning off his light,
          but it wouldn't have been
          a blind bit of use, imaginings
          were just imaginings.

          Through the hospital, I saw four
          sheet-covered bodies from the raid
          the night before; I spoke to the wounded
          and lashed out cigarettes

          until he strode up,
          stuck his shattered hand in my face,
          anger, hatred, blazing in his eyes
          and shouted, shouted

          waving that hand,
          the bones crumpled by a sniper's slug,
          hardened into a glistening knot.


          The Captain translated -
          "How could a man farm with a hand
          like that, when the land
          is his again."




          Baghdad



          I awake in the back seat. People are stirring.
          I remember a landscape of black stones,
          an unpromised land of no provender but basalt
          and jinns of black dust whirling to the horizon.
          Yet the bus that has brought us across
          the desert of Badiet esh Sham
          has arrived at a motorway system, yellow
          glow of street-lights lead us to an urban area.
          Now there are cars and a few pedestrians.
          We've reached the terminus,
          my ticket will not take me further.
          Holding the Sony DV cam in its athletics bag
          like an infant close to my chest,
          I alight into the crowd.
          My luggage seized by a cab driver,
          I'm hustled into an 'orange and white'
          and sped to my hotel,
          get there before passing out
          under noxious fumes - testaments
          to DIY mechanics.
          Dealing dollars for dinars with the driver
          buys me a bundle, as bulky as a sack
          of basmati I'd admired in Zarqa.
          Wads of grey 250 dinar notes,
          like pages from a burnt book.
          It's 6 a.m. time for sleep, but first
          I watch the sky go pale over the Tigris.
          Sharp-prowed boats appear through the haze.
          Slowly the light starts to dazzle the blue
          and gold faience work of the minarets,
          and soon the sky is white above the nitrous
          cocoon in which the city lives.



          - Esmond Jones 2000



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