Thunder Sandwich  #23

Home     Bios     Reviews     Guidelines     TS Publishing     Links

David Chorlton

A Letter to Pessoa


I wrote thirty-odd poems straight off, in a kind of ecstasy whose nature I cannot define. It was the triumphal day of my life, and I shall never be able to have another like it. I started with a title 'The Keeper of Sheep'. And what followed was the apparition of somebody in me, to whom I at once gave the name of Alberto Caeiro. Forgive me the absurdity of the phrase: My master had appeared in me. This was the immediate sensation I felt.

    Fernando Pessoa


Dear Fernando, I think I saw you walking today.

You moved with purpose, arms swinging,

your eyes turned inward behind the lenses

of your spectacles. I would have stopped

to greet you, but unsure

of who you were today, I simply waved

as if I knew you, as if I too

had several minds. Your hat sailed merrily

through sunlight, and you cast a shadow

for each person inside you.

I followed you into a bar and wanted

to buy you a drink, perhaps ask

about the trunk you keep next to your bed

with your dreams filed away, or question you

about the names you sign to them;

one for the shepherd, one for the modernist, one

for the metaphysician, and one for the keeper

of the dark. You seemed strangely

at ease in our city, which constantly rebuilds itself.

Like you, I thought, with your multiple selves

always waiting calmly in line for their turn

in the world. I should have stopped.

What could I have said to engage you?

What I wanted to know was

which face you see when you shave, whose eyes

you close when you sleep, and how you decide

who to be when you dress. I had nothing to tell you

except that somebody not me is writing in my name

and telling me I could have had another life

without stepping out of this body. Excuse my distance

as I sign off; an admirer.



Counting Birds in Wickenburg


We're out at dawn to drive

between the golden edges of the clouds

and along I-17 north, then turn west

to begin our mission. Dressed to blend

with foliage, we have come to place

a finger on the world's pulse

and start by counting mourning doves:

forty on a power line, two in a bush,

twenty on a path leading through creosote.

The windows of houses in town

are yawning as we infiltrate

the streets. Twenty Gambel's Quail scurry by.

Out into the desert, past the luxury home

with a private airstrip, we plant

our suspect selves behind a mesquite tree

and survey the wealth around us

before white-crowned sparrows

move among the shadows. The Sunday rodeo

starts early. A sound system amplifies

Jimbob's time of five seconds.

I make a furtive run to identify

the only cardinal around. Better luck next year,

we say, and turn to seven goldfinches

in a tree. Back near the road we explore

the trailer parks where the wildlife consists

of cutout reindeer and a plastic mule

in a collar of light bulbs.

A Say's phoebe flies overhead. Our species count climbs.

Canyon towhee. Two western scrub jays.

We enter wash after wash

from phainopepla twenty-nine to phainopepla thirty

making notes as we prepare for another tour

of the rodeo grounds where Jimbob's last ride

ends in dust as the commentary rings

in failing sunlight and we tally numbers

before the drive back to our city

waiting with its house roofs

draped in electric frost.



Home