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D. B. Cox

Exit

"Even death will have exits like a dark theatre"

                                      --- Charles Bukowski

I.

Too spent to calculate

the sum of scattered thoughts,

he sits bent forward,

hands folded in front of his face,

like that Sunday school painting

of Jesus in the garden,

praying for a way out.

 

He'll spend the little time left

holding to slippery half-truths,

trying to convince himself

that he did what he had to do.

 

Pushed to the edge,

he lost all balance & stumbled

into a hole so deep

there was no way to gauge the fall.

 

Suddenly, as if stunned

by his own desperation,

his body shudders & a short moan,

like the parting sound of hope,

escapes from some dark place

very near his soul.

 

Just to be moving,

he gets to his feet & walks

to the small cell window,

where he watches a thin cloud

slowly shroud the half-moon.

 

In his head,

he begins to gather

fractured images,

struggling to frame

the still distorted scene…


 

II.

 

…Standing just out of range

of the street lamp,

he eyes a cab as it crawls along

an otherwise deserted avenue.

 

His attention shifts

to a small, unlit house on the corner.

When he spots the beat-up blue Chevy,

that belongs to her new friend

still sitting in the driveway,

something close to a smile

plays along his face.

 

Every lousy little detail,

behind those cheap curtains,

burned, by time, into his brain:

every corner, every crack in the floor,

every angry scar on every faded wall,

every broken glass, & every broken promise.

 

Every meaningless minute spent

begging mercy for every wrong thing.

 

Feeling strangely numb,

his hand moves against

the cool metal of the .45

tucked inside his jacket pocket.

Somewhere, a lost dog howls…

 

Slowly, as if on cue,

he lets a spent cigarette

drop from his left hand,

steps from the curb,

& is taken,

like a wind-blown bird,

into the crazy night…


 

III.

 

…No last words

 

He lies flat on his back,

Arms & legs strapped tight

to the contemporary cross.

 

Staring straight up

into an overhead light,

he fights hard to stay awake

as the fatal fix roars,

like an express train,

through his veins.

 

For the first time in weeks

things slow down

enough to allow

his brain to latch

onto a clear thought…

 

Still,

no answers,

only one

last question…

 

Jesus,

if you're real,

& can look

through this

concrete & steel.

 

After having seen

what you've seen,

& knowing

what you know,

 

can you still

stand by

that altruistic suicide?

 

 

BackPage 68
"you better run through the jungle - don't look back"
--- Creedence Clearwater Revival

 

Another troubled night falls.

The triple-canopy darkness

closes around me like a body bag

being zipped slowly shut.

 

In the titanic darkness,

the jungle breathes, like a living thing,

& I sense the ghostly company

of things that roam late.

 

From the corner of my eye,

I catch glimpses of shifting shadows

that freeze in place whenever

I turn my head to stare.

 

Five months in-country, & still uneasy

with the weight of the rifle in my hands.

Still looking back toward old rules

that no longer hold, & old order

that has spilled over into chaos.

 

A strange storm, just before sundown,

seemed to bring some ancient evil

from the highlands. How long can my

angels shield me from the fangs

of this forever-hungry beast?

 

A trickle of sweat, finds a trail

down the center of my back.

My Dexedrine-charged heart slams,

like a ten pound hammer, against my chest,

intruding upon the heavy silence.

 

How much more mad input,

before this heart is stopped

for good?

 

How many more

blinding-white days,

& bullet-torn nights

until I reach

the cold understanding

 

that the best part of me

already lies twisted & rotting

in the dense, tangled green.



Road Like A River

 

The bus drifts

up an off-ramp,

somewhere on I-95.

We're moving toward

 

the second show of the day.

Two is nothing new.

It's 1968,

& business is good.

 

Behind me,

the trumpet man

blows quietly into his horn.

Warming up.

 

His solo's down cold;

all heart & soul.

Miles couldn't play

"TAPS" any sadder.

 

All group moves,

are choreographed in:

"one of the few",

"dress blue" precision…

 

[Fire the rifles] (… don't look back)

[Blow the horn] (… don't consider)

[Fold the flag] (… don't believe)

[Pass it over] (don't feel a thing)

[Hand-salute] (… Semper Fi-nada)

 

climb back on the long gray bus, & gone…

 

Yeah, we've got it made

out here on the highway.

Just keep the conscious clean,

& don't fuck with the machine.

 

Riding a road,

like a river

with rapid black water,

pulling us on, farther & faster.

 

All of us --

 

bound for that

vanishing point

somewhere,

in the heat-shadowed distance.



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