David Chorlton

Living with Drought


We know we are living with drought

when rain becomes so precious

we wear the drops on a chain

around our necks.


Touching the ground each morning

to feel for dew

reveals our insecurity.

We beg the passing clouds

to stop, invoke gods


known to be extinct

for a miracle, and polish

our faucets for luck.

Wildflower season finds us


counting roadside blooms

for reassurance. Vacationing

in ghost towns

we make friends with fate,

but too late. The owls


are already staring at us

accusingly, the lizards

have us in their sights,

and bats pour into the sky


without waiting for dark.

We try sleep

as a final refuge,


only to wake

after an hour, reaching

for the glass at our bedside

and seeing by the light

of the scorpion inside it.



Reunion Meal in Vienna, 1959


The table is set for remembering.

We order the good years

for the salad course, swimming in oil

that has eyes looking back

when tears begin

at the mention of childhood.

The waiters click their heels,


impatient at the time it takes to decide

between Wiener Schnitzel

and Rostbraten, and march back

through the kitchen's swinging doors

to the cauldron of fat


still angry at wasted lives.

By dessert the musicians

appear to smother our plates

with sugar. The uncles beat time

with their spoons, the aunts rock

their heads side to side,

and the smoke from an armory


of cigarettes swirls around us

like a silk scarf

once bartered away for potatoes.

Instead of coffee,


the grownups keep on crying

while we children

laugh at them, as if they were the strangers

they always tell us to ignore.



Viennese Coats


Wet with rain, the coats

on hooks inside a coffee house

cling together for company

on another grey day.

At the market, old ladies

in green loden

bend close to examine the fruit

and struggle to communicate

with the foreigners

who sell them. Outside a department store

Mozarts in blue coats

step from the eighteenth century

to offer leaflets

advertising a concert. Everyone

feels safe inside their coats

as the wind from the east

presses its hands

against them. There are coats

with eyes staring

from collars of fur, coats

of gleaming leather,

and coats bound at the waist

with muscular belts. The statues

have coats for all seasons,

and coats hang in closets

in a widow's apartment

like young women waiting to be asked

for a dance. And there are black silk coats

that keep returning to the ghetto,

with history sewn

into their lining.



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