Cheryl Snell

Dreamscape with Archetype


Opposite the door facing winter,

you sit in a canoe, baling lake water

with one tin can. Let me help, I say.

I open an umbrella over your head.

The wind inverts its ribs, draws eyes

upward to the blackboard slashed

with chalk, where contortions of dust

dance in the absence of a sunken sun.

We watch them collapse all the way up.

In our room on the water, blue lines

of the bed revise the light. The moon

wanes, paler than it should have been.



Bad to Worse


It's summer. The wrecked Mustang,

tires blown, sinks into grass foot-high

and rubbery with snakes.


A bottle rolls from under the front seat,

its etched glamour encrusted with dirt.

Still, it could be worth something.


It's winter. The car has rusted through. Grass

shagged with ice crunches under our boots

as we aim toward the steadily arriving door.


It's warmer inside than out, though the fire

smokes last embers. The nine-foot piano

presides over an otherwise empty room.


There is a drop of Scotch left in the crystal

decanter. We'll drink that first, before

we feed the piano to the flames.


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