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Mark Hartenbach |
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black snake moan i'm dragging around a ball & chain. my head is wrapped in a few yards of cloth. i'm not referring to the old lady-i'm no longer married. i'm not waiting around to get a good price on it-it's not made of a precious metal. it's simple iron- virtually worthless. i was tempted to call it a shroud-but it's nothing more than a white cotton t-shirt that someone's taken a knife to. i move slowly because of the extra weight i'm pulling, & also due to the fact i can't see where i'm going. some cheery optimist might peek over his rose- colored glasses & say it's a blessing in disguise, that i'm forced to plod along-or else i might have fatally crashed by now. i have difficulty seeing it that way. i'm not totally blind, but i occasionally confuse the issue, until someone sets me wise. i thought i was being trailed by a long black snake, & those blues were coming out of someone else's mouth. charlie patton "art is magic delivered from the lie of being truth." -theodore adorno i'm listening to recordings of charlie patton that sound like they were taken straight off the 78s- pops & hisses & dirt under the fingernails. i'm not sure if these cuts were cleaned up for the box set that came out a few years ago. the sound doesn't bother me at all. actually i prefer the gritty sound- the rougher the better. howlin' wolf took his vocal style from patton. patton doesn't have the licks that robert johnson or skip james have, but i'll take his voice. patton was black, white & native american. you can see them all in his photograph. it must have been hard not to belong to one exclusive ethnic group in the 20s & 30s. it must be difficult today. when i hear these old records i don't need to know all the history, a long summary of the times that sound like they were pulled from some school book. i don't need names, places or dates. i know it was (& still is for many) a brutal, ugly world then-i'm listening to it. gary gilmore i was looking at some drawings that gary gilmore did during one of his stints in prison. they're very good. there's one that's an old pair of prison shoes called self portrait. i find it disconcerting that someone who could draw like this, could also gun down two young men in cold blood for a few dollars. it's not that i think an artist is above such evil acts. he's not the first & won't be the last. i remember in his brother's book, he said that gary was their father's whipping boy & also goes into the other usual dysfunctional hell that most men in prison went through. this is not an excuse. it's a case of cause & effect. i suppose gary gilmore is a footnote of the 70s. younger people probably don't know who he was. eventually he faced a firing squad in utah, as he'd requested-after much legal squabbling. i have a difficult time taking a stand on the death penalty. i know it's nearly always the poor & blacks that are on death row. i know the law is flawed & corrupt, & if you can't afford a lawyer then you have no chance. i know that if you have a lot of money & good family connections-there's a much better chance you'll get off, or at least get a reduced sentence. a public defender will always tell you to plead guilty. so it's hard for me to support the death penalty. on the other hand if someone were to hurt one of my loved ones, my daughters or granddaughters-i'd want blood. i probably wouldn't settle for anything less. i probably wouldn't be able to forgive, as my faith says i should. i guess this makes me a hypocrite. i guess this makes me human. [Index] |
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Thunder Sandwich #26 - Summer/Fall 2005 |
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