Harry Calhoun


			Boy
			We are closest to God when we laugh.  -- 	Anonymous

The problem people have with me. They expect a man. I can give them regular bill payment, hold down a job, make reasonable grocery choices.

But I can’t help but laugh at things they don’t find funny, talk to myself because I can communicate with me, still run to beat cars across the street

on my nighttime walks just to feel strong and boyish again. Crank the music sometimes between classical quietude.

Hell is so close, the silent jaws of maturity that surround you with possessions, with maturity itself, until like huge gums it infects the teeth in life, removes the savor.

I feel the breeze tonight, smell the fresh-mown grass. Ruffling the crewcut I had as a six-year-old. I have a poem in my mind like a song.

All I have to do is scratch the skin and the boy giggles beneath the surface. I look at art sometimes and can feel it pulsing back at me,

fueled by the laughter of a boy unafraid to stay young forever.

Kinetic Zen

Bicycles are about dreams. In their repose we see the power of the human- driven sprocket, in their frames see the mount for the wheel; scanning the handlebars our palms feel the turns, the braking, the view over top of the routes we choose to circumvent motor traffic. Contemplate the bike. There is no risk. It is for the exercise. Climb aboard. It gets better.

The wheels turn, dredging huge chunks of death closer. The possibility for harm. We smile, the wind in our hair. It is for the exercise.

Abulia

I don’t know music. But people I work with, that I pass each day, never try to understand those complexities of classical form

that I gladly accept without the slightest comprehension of the genius, only bow to it as a palm slipping its lash into my jalousie

in Key West and saying its small prayer as I slept with God whispering the palm slap by the window into my clear sleeping consciousness.

I am under the headphones listening to rock ’n’ roll, instruments I’ll never play, but music kicking its stand into my poems

and roaring into a hallway that people I work with, pass each day never travel, and something that scares me,

a monster maybe, rams like a tongue out of a dark room into the hallway ... to kiss me? And I run — what else have I but this —

to meet it. And it is God, or it is not God, but it is at least what I fear, and meeting it is more

than what comes from not traversing the hallway.

Just Write

I can’t slobber over a newspaper without licking my news fix like a wound. Furry in the day off morning,

I gambol about the apartment like a dog. A magical tongue, an agreeable disposition, and a cold nose.

This didn’t start out as an anthropomorphic poem. More some kind of comment on hunger for the steady diet

of screwballs the world throws us. Home is goofy because it’s sane. And Goofy is a dog, albeit a cartoon one,

and here we are with anthropomorphism again. Well, what do we do with that? Damn, my head hurts.

I think if I bought a sports utility vehicle it would all be better. Shot of gas, anyone? Come over to my big house

for a few hits of conspicuous consumption, a munch of emptiness, and so much Mickey Mouse® it’s trademarked.

Transcendance

Awake early, writing in darkness, the miracle of electricity not lost in the lamplight. The Indian incense

carries me back, centers me here on the wafts and whims of apartmented air currents.

This scent has more to do with the meaning of life than this poem, than anything I will read.

And its lack, even more. Did you smell the scent? I thought not. Writers, readers, any human,

are limited. Did you read the poem? It doesn’t matter. The incense I lit at its beginning is gone.

So is the poem. So am I. It is only yearning and some form of transcendant interest

that stretches it out this far. Goodbye, and that is the shortened form

for “God be with you.” God, as Gandhi said, has no religion.

I see the electricity here in the dark.

Speck

Striving for God, aching for creation, I want to see those light years beyond the big bang,

to see if this Nothing I hold holy is worth its status.

Or if the dreaded iota bit beyond nothing is true, and I am poised

on a cosmic garbage chute, a flea jumping in a cosmic circus

its mind with no intellect but bloated fat

with the blood of doubt.

Bonnie Raitt On A Repeat of Saturday Night Live

This afternoon, you should be at work, but this is vacation, and what is vacation but a chance

to cry, to laugh, to do what should be done on “personal” days: Transact business

that can’t be accomplished in ordinary working hours. I use this intensely personal day

transacting business, crying over Bonnie’s version of “I Can’t Make You Love Me”;

something about the wayward pain of a smashed thumb brought home

with the accuracy of a nail driven into the only space it’ll ever occupy.

*
The sun’s out. I gather my booty. I’ve got a rented roof, a tan, a beer, and work’s tomorrow.

I’ll take the tan to work and leave the rest behind, and because I can’t snare more sun I’ll have another beer.

I dry my eyes as if toweling off from a shower. Work looms. The blues hit home:

Tomorrow is always the day when my dreams

lose their power.

You Call Yourself A Poet
Hopping on one foot since its mate took up permanent residence in your mouth, looking for sox,

her leaving casting enough summer shadow on your second dresser drawer to make black and blue

blend like a bruise. Squint for your so-called spectroscopic understanding of love or faraway stars:

red, giant, dwarf, white. The sun's a worshipped yellow yolk paling bland as egg white. It was clear

but the heat must've fried your sense of color, left you groping for the right sock,

the left sock, the impossibly trivial, mumbling like an old man,

something insane, silly something to the effect you're glad its sox, and not sex.

TO INDEX
TO POETRY