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The Romantic
Count Dracula was going along just fine when out of nowhere it started. At first the women were sympathetic but soon they began to get irritable.
There was already all that other stuff to deal with, the late nights, the lack of any visible support, the strange black attire, the horrible accent, and now he would try to bite them and nothing,
not even a flicker, not even a tingle. "How can bone go soft?" one virgin said and finished herself off. Dracula tried to stop it from happening;
he quit brushing his teeth in the mornings, which he had always excited him, ceased flossing in the afternoon, stopped picking his teeth after dinner,
but he still couldn't get a fanger. After a month, the women stopped calling, and their windows were locked from the inside. If a guy like him wasn't going to produce,
they might as well find something stable, maybe someone in accounting.
The Swag
Then there was the "swag" guy. I remember him well. He was always going on about the swag, and what the swag was doing to us, and how we were blind to the swag.
Nobody had any idea what the swag was, and I asked around (which I usually don't do) but Tom Miller didn't know, nor Ian, and not even Jimmy Nil knew who or what
the swag was. The swag guy was an old man, white receding hair, which he covered with a colorful beanie, and he would wag his finger at us
and warn us the swag was everywhere, perverting our government, defiling our young girls, driving up the price of our marijuana, controlling
every tawdry aspect of our lives. To this day, I don't know what the swag is. But some paranoid nights, I fear he was right and the swag really is everywhere,
a ghost whispering through the shadows, a formless demon turning knobs and dials and switches, making things go the awful direction things often go,
or worse, he was wrong and it doesn't exist at all.
My girlfriend's editor
My girlfriend's editor lives in Chicago, where I've always wanted to live, went to schools I could not get into, has had jobs I could never get, avoids the bums who always get a buck from me
My girlfriend's editor uses words I don't understand, speaks languages I don't know, has traveled places I won't ever visit, writes poems that make no sense to me
I have never met my girlfriend's editor, I've never seen a picture of him, he's never written me a letter, when I pick up the phone there is silence, when someone knocks on the door I don't bother answering, I know it's just him playing around
My girlfriend tells me she's learned a lot from her editor, she says he's a genius, she says I should give him the benefit of the doubt, she says I should try to be more trusting; my girlfriend's editor, all his poems end with a feminine rhyme
My girlfriend's editor is bipolar or schizophrenic or some kind of crazy, he takes medications I can't pronounce, he smiles at cats knowingly, someday he'll jump off the Sears Tower and land on his feet, he'll be hailed as Sylvia Plath's penis
My girlfriend's editor disappears for weeks and she worries about him, she worries he's had another episode, she waits by the phone for someone to call while I sit and watch her pace
My girlfriend's editor calls and says he just got out, he's better now, but a week later he disappears again and my girlfriend calls his mother who says he's back in, two days later he's out again
My girlfriend's editor says in the hospital he had a vision, he doesn't like my kind of poetry, he says it's too cut and dried, nothing personal, he says, it's just not his cup of tea, he wonders what my girlfriend sees in me
My girlfriend's editor realized I don't treat her right and he doesn't think I'll ever make it, he knows my type, a week later I receive a form rejection that isn't signed but is post marked Chicago, "sorry," it says, "this doesn't fit our vision"
Later that night when my girlfriend and I make love, I see his images and conceits, hear his albas and his codas, feel him wedging between our couplet his busy red editor's pen, not content with us until we're perfect, until we do it his way
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