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Goblets Filled with "Leave Me Be"
Sanguine in our family is inextricably tied to cocktail hour. "Loaded" seems to manage things when honest comes with too much noise. Uzi's pointed at our issues. Goblets filled with "leave me be." The scent of wine upon a cork: a bunker in a time of war. We don't have cellars of fancy brands. The taste test is defined by need. Walking in the door at night with failure on our fallow breath. Three hours later, lions tamed-- we burst from booths like Superman.
A jigger is our muddy milk-- the ipecac of modern life. Rescue is a lavatory shaking in a crashing plane. Its touch is like those sculptured nails-- dimensions of an even life. Colorful, with grace in tact, they do not know a real moon. The weak massage of shoe-shined manners comments on a centerpiece. Plastic clowns of laughter reign, dromedaries in a desert, camouflaging ways we care and feelings that we cannot feel. A lime becomes a hymnal squeezed, its acid juice, convenient art. Escape we worship faithfully like sleeping pills for restless nights. They keep our avocados green when life would turn them very dark.
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The Leech, our Lice, the Matched Divorce
Step one was pregnant with despair. The only child we'd ever have. To think that I could box your ghosts with hummingbirds of will alone. Step two was buckets of denial. I gave you half my teaching job so scorpions of unemployed and jungle rot of sour days would not infect what hope there was. I bought you toys and furniture. A useless ploy like yelling at the ocean waves to not disturb a dune of sand. Step three: a marriage on the rocks; nothing flying through the air but avalanches brewed in black like finely whirled coffee grounds.
Step four: the fight (where I would drink and you would scream). Destiny was pizza cold every time we ordered out. Liquor was my rosary. I rolled it out to meet your moods. Dessert, a round of histrionics denser than a Shakespeare play. Step five: divorce. Thunderheads and pimples pop. The lancer and the Lancelot were meeting lice of sober days. Funny thing--this getting "dry" was your idea. When it woke me up enough, alone seemed scented lily pads. A rising moon behind the light you swatted down with anger's broom. I learned a leech would stay a leech, never offer bags of blood. The fingerprints of married life-- desperation's roach in bloom.
• • •
Roses on a Closing Grave
My fountain pen, a private quill like tongues that hate a broken tooth but keep on coming back to it. In those holes the ghosts undress and leave their issues on the floor. The pencil trace around a finger. The siren of an ambulance that doesn't quite undo a wreck. Its presence has a comfort horn. The blare of human thinking hard in ditches building caves to dwell. Its music not of certainty. The taste is not of absolution. Just of meager sculpted clay. Still its silkworm somehow there-- like roses on a closing grave.
• • •
Stolen Pearls
Disabled has its tentacles. Its inner worms. Its courage silk. When I stand one brilliant moment minus crutches or a cane, my Pegasus becomes a foot that saws through boards of ocean waves.
Erect is so simple to you. One wish and you're up. Beyond the chair. A treble clef across a bar that plays a song you do not hear. My hair is strands of wheat bran gray from burning long in effort's wick. Peacock fans of motion's bliss and seagull dips of tender steps.
Ask me if I'd rather sit. I'll tell you "Never. Never, never, never, never in a thousand suns." The stand is always worth the fall. The reach of will, an octopus with stolen pearls in its hands.
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